For a hand-drawn sketched loop, we can apply a special overlay texture in screen space which animates with a modulo clock.
For a hand-drawn sketched loop, we can apply a special overlay texture in screen space which animates with a modulo clock.
Surfing the seas in Zelda Wind Waker is so iconic because of the stylized water effect, which we can recreate with a Voronoi-style noise texture.
For an easy sketched look, we can combine depth-, color-, and normal-based outlines with an overlaid sketch texture which animates in discrete time steps.
Return of the Obra Dinn used a beautiful stable dithered effect in 3D. We can do something similar in screen space to implement a two-toned noisy effect.
In Portal, you can see portals in portals, which requires recursively mapping the view from one portal in another portal.
Firing portals and snapping them to the edge of a wall without overhangs involves a lot of fiddly raycasts. Plus, let's shoot portals through portals, Narbacular Drop-style.
When an object travels through one portal, its momentum must be conserved. Plus, we need to render a clone whenever the object is partway through a portal.
Using an oblique projection matrix to set up a view frustum is crucial for properly culling objects behind the portal plane without culling anything in front of it.
Rendering the view from behind one portal on the surface of its paired portal requires a bunch of space transformations and stencils.
Spyro renders the skybox of an upcoming level inside the portal for that level, then swaps the active skybox as you cross its threshold.